Let me just say that this is great! Who wouldn't love a big launch from the AMS? As far as I can tell, the post has attracted about 1200 more pageviews than it would have otherwise. Prof. Fink describes my post as an "attack" and it was certainly a thorough bit of criticism of the blog. But after a new, and even more objectionable, post appeared on Musicology Now a few days later, I put up a more extensive critique in this post in which I described a curriculum proposal as a "Maoist re-education plan." I think that that one has attracted some traffic from AMS members as well.Bryan - As one of the editors of Musicology Now, let me thank you for your attention to our blog. We could definitely publish more content, but our situation is slightly different than that of a single-authored blog. The editors don't publish their own material, and, as you note, publishing a piece in Musicology Now does not advance one's career like peer-reviewed publication. We're always looking for more material, but since no one really "owns" this blog, we do have a problem getting people to put stuff out there for the no-so-tender consideration of the internet at large.I'm shamelessly linking to this attack on the blog in my FB feed, on our page, etc. in order to rouse the collective pride of the Society, and perhaps drum up more submissions. I'm not sure the result will be to your intellectual taste (chacun, etc.), but we can all agree that it would be great to have more material to the AMS blog.Thanks for your help. :)
So as of now, perhaps a third of the 3,500 AMS members may have visited this blog, or at least a post or two. Frankly, what I expected was a great deal of critique of my critique, widespread disagreement, spitballs, rancor, opposing arguments and possibly thundershowers. What I got, apart from the comment from Prof. Fink was, wait for it: nothing. Nada, nichts, rien!
What's the deal guys? Do you agree with everything I said? Or are you just afraid to leave a comment? Will we see some changes over at Musicology Now? As of today, the last post on their site is still the one from last Monday about racial and gender diversity.
Here's the thing: there are unending articles about the dire situation of classical music and what we need to do to reverse the trend. A lot of them stress that the "accessibility" of classical music needs to be increased. Frankly, with millions of clips on YouTube of classical music, I don't see how it could be MORE accessible. The solutions described usually involve changing the nature of classical performances so they resemble popular music performances more which might attract more people who usually listen only to popular music. This often doesn't go too well because the one element you can't change too much, or replace for that matter, is classical music itself. The truth is that the portion of society, in North America particularly, that is able to listen to classical music in an appreciative and discerning manner is not large and seems to be decreasing. If we pander to them too much all we will do is throw the baby out with the bathwater.
As I know from spending a month in Europe recently, the situation there is quite different. Concert halls are full and the audience is larded with young people. The reason is that in Europe, the proportion of educated listeners is much greater.
To me the solution is obvious: we in North America have to provide a better introduction to the music through educational outreach. And it has to be real and substantial, not the feeble and diaphanous efforts that usually pass for educational outreach. Who in North America possesses the greatest wealth of knowledge and expertise in this area? The American Musicological Society would seem to be it. How do you reach out? I would think the same way that I do. The purpose of this blog is to talk about music in an entertaining and informative way. Surely the AMS blog should be doing something similar. But you ain't! So give it a go. I think it is important for the future health of music.