The translation of nonscientific discourse into scientific discourse is the central objective of scientism. It is also the source of its intellectual perfunctoriness. Imagine a scientific explanation of a painting—a breakdown of Chardin’s cherries into the pigments that comprise them, and a chemical analysis of how their admixtures produce the subtle and plangent tonalities for which they are celebrated. Such an analysis will explain everything except what most needs explaining: the quality of beauty that is the reason for our contemplation of the painting. Nor can the new “vision science” that Pinker champions give a satisfactory account of aesthetic charisma. The inadequacy of a scientistic explanation does not mean that beauty is therefore a “mystery” or anything similarly occult. It means only that other explanations must be sought, in formal and iconographical and emotional and philosophical terms.Read the whole thing.
Here is a little chamber sonata by Dietrich Buxtehude, the northern German composer who was an influence on Bach: