The Steinway Series is organized by a transplanted New Yorker, Frederic Dannen, who does a pretty good job. For this concert he booked a young Cuban pianist named Fidel Leal who is currently a graduate student at the Hayes School of Music in North Carolina. Here is his program:
J. S. Bach: Prelude and Fugue in B major (WTC Bk I)
Sergei Prokofiev: Piano Sonata No. 7 in B flat major
I. Cervantes: Cuatro Danzas Cubanas
Carlos Fariñas: Dos Sones Sencillos
Ernesto Lecuono: Dos Danzas Cubanas
Encore: Intermezzo by Manuel Ponce
The Bach was very well played in a brisk sort of way. The Prokofiev was excellent, but the last movement was just too fast for the rhythms to be clearly audible--mind you, everyone except Grigory Sokolov makes this mistake. The Cuban music was excellently played, of course.
It is a bit of a puzzlement to me why the musical cultures of Latin America vary so widely. Some nations, like Cuba, Brazil and Argentina are just overflowing with lovely and expressive music. Others, like Peru, Bolivia and, I'm sorry to say, Mexico, just don't seem to have the same gifts. Let me hasten to say that this is not a phenomenon restricted to Latin America. We see the same thing in Europe where the massively unmusical country of Switzerland is wedged in between two of the most musical nations of all, Italy and Austria. Sorry, Switzerland!
The Cuban music was charming, if a bit inconsequential. The only thing about the concert that didn't really work, I think, was the combining the fairly light Cuban pieces, with the more serious Bach and Prokofiev. The most striking and successful performance, certainly from the audience's enthusiastic reaction, was the Prokofiev so I would have put the Bach first, the Cuban music in the middle and the Prokofiev at the end. Incidentally, the program was played without intermission.
The Ponce is a lovely, haunting little piece, the perfect encore, especially in a concert in Mexico. Manuel Ponce, an exceptionally gifted musician who wrote a great deal of music for guitarist Andrés Segovia, was of the first generation of Mexican composers to take the traditions of the local popular music seriously.
What was particularly interesting to me in this concert was the high quality of the performance. Indeed, this is the best piano recital I have heard here in quite a while. The winter concert series, with the exception of a concert by Israeli Ran Dank, seems to get more and more mediocre players every year who pound away as they deliver one dreary and predictable program after another. Yet that is the supposed "professional" series. I would rather listen to young artists like Fidel Leal with solid musicianship.
About the only thing in the program that I found a bit tiresome were the lengthy verbal introductions to the pieces. I suppose they are necessary in these days when most audience members know almost nothing about the music beforehand. But still... A concert where no word is spoken is one that preserves the magic of the musical journey. One with constant verbal commentary does not.
Let's have a listen to that Intermezzo by Ponce. The pianist is Mauricio Nader.