206. “Free As a Bird,” single (1995): This single enraged me, in 1995, when it was released to gin up interest in the first Anthology album. It was a Lennon song from long after he’d left the Beatles; he sounded so vulnerable, and the studio work that had gone into making this distant-sounding, crummily recorded demo sound presentable felt like too big a burden for the martyred star to bear.
204. “She’s Leaving Home,” Sgt. Pepper’s Lonely Hearts Club Band (1967): A bathetic lugubrious mess, the nadir of Sgt. Pepper’s Lonely Hearts Club Band. The call-and-response chorus is labored; the whole thing reeks of having come from a squaresville OffBroadway musical about kids these days. The instrumentation is unusual; there are no actual Beatles playing on the track, but no one cares because the song is so bad.That was particularly enjoyable because the Wall Street Journal, who can be tone-deaf, just published a laudatory essay on the song by Alan Alda.
I would have put that one a LOT lower.194. “Ob-La-Di, Ob-La-Da,” The Beatles (“The White Album”) (1968): The whimsy will continue until morale improves. Definitely in the top five of Most Irritating Songs Paul McCartney Ever Wrote. It took a long time for the band to get this right in the studio. No one liked it; but it was reportedly Lennon who finally sat down and banged the piano part out appropriately. This is a song that isn’t about anything in the first place; the last two verses are the same except for having Desmond and Molly’s names switched out, but McCartney’s vocal gets more and more excited. Newsflash: No one cares about Desmond and Molly Jones.
189. “I’ll Be Back,” A Hard Day’s Night (1964): The least of the lesser songs on the second non-soundtrack side of the A Hard Day’s Night album, and an anticlimactic album closer.I totally disagree with that one. The major/minor alteration and the vocal harmonies make this one of my favourite early Beatles' songs.
164. “Good Night,” The Beatles (“The White Album”) (1968): Lennon’s attempt to write a lullaby for Ringo to sing as an envoi to “The White Album.” It’s lulling, and nothing wrong with that, but it’s also kinda boring.I rather disagree with this too. In context, following Revolution #9, it is well beyond surreal.
117. “Don’t Let Me Down,” single (1969): Another of the so-so unadorned Lennon songs from the last days of the Beatles. Too many of his songs consist of the title words repeated over and over in the chorus. The case for it is that it’s a naked profession of his love for Ono and a new statement of vulnerability. The band played it on the famous rooftop concert in Let It Be, but it was left off the album. It turned up as the B sideB side of the “Get Back” single.Maybe it's just me, but I have always loved this song. I captures a special kind of emotional desolation like no other song.
Well, I stopped there because as we work into the better songs, he doesn't have a lot to say.
Skipping to the top songs, numbers one and two are, as they should be A Day in the Life and Strawberry Fields.
Your milage may vary and if it does, tell me about it in the comments.