tag:blogger.com,1999:blog-8827040061563065922.post8408579888636611512..comments2024-03-27T23:06:03.736-05:00Comments on The Music Salon: Our Finest Music CriticBryan Townsendhttp://www.blogger.com/profile/09482696991279345516noreply@blogger.comBlogger8125tag:blogger.com,1999:blog-8827040061563065922.post-88467487408016881242015-04-18T12:19:07.832-05:002015-04-18T12:19:07.832-05:00Saw you have a new post but am on my way out, five...Saw you have a new post but am on my way out, five minutes ago. A Facebook friend of a Facebook friend, "that" being my question about critics grounded in... sound philosophy: <br /><br />"Hmm... I'll have to think about that; the first contemporary writers who come to mind as offering thoughtful and well-grounded commentary on music are practitioners rather than critics (e.g. Harnoncourt, Herreweghe, Koopman)...". <br /><br />I don't know that they address the public outside of lecture halls or program notes-- but I could well be wrong. The Fb friend of a friend suggested Andrew Shenton, who seems to do lots of work on Pärt and Messiaen, but he isn't a critic in this sense.Marc in Eugenehttps://www.blogger.com/profile/04331547981498637474noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-56509733135990942912015-04-18T10:52:40.304-05:002015-04-18T10:52:40.304-05:00Sadly, I only got to two critics! I will check out...Sadly, I only got to two critics! I will check out Damian Thompson. Arthur Kaptainis at the Montreal Gazette is also pretty good--about the only one in Canada writing in English.Bryan Townsendhttps://www.blogger.com/profile/09482696991279345516noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-36405816299176685072015-04-18T10:14:24.842-05:002015-04-18T10:14:24.842-05:00The only three I read regularly are Nordlinger and...The only three I read regularly are Nordlinger and Ross, and then Damian Thompson (formerly at the Telegraph UK and now at the Spectator UK) who writes lots about music although I think he may be called 'editor' and not 'music critic'. I have to fit Tommasini into my 'ten free articles a month' at the Times and unfortunately I neglect to do that some months. Am looking forward to your post on the ten best critics. :-)Marc in Eugenehttps://www.blogger.com/profile/04331547981498637474noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-64811465757739932832015-04-18T09:00:57.420-05:002015-04-18T09:00:57.420-05:00I wonder who the best music critic currently writi...I wonder who the best music critic currently writing might be? Tomassini at the NYTimes?Bryan Townsendhttps://www.blogger.com/profile/09482696991279345516noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-42498657917740837132015-04-18T08:52:46.780-05:002015-04-18T08:52:46.780-05:00I think that, for Alex Ross, it is always cruciall...I think that, for Alex Ross, it is always crucially important that he be seen to hold all the correct opinions on things.Bryan Townsendhttps://www.blogger.com/profile/09482696991279345516noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-53444942584786000932015-04-18T00:09:32.686-05:002015-04-18T00:09:32.686-05:00I had to laugh, earlier, reading at National Revie...I had to laugh, earlier, reading at National Review, Jay Nordlinger on the deplorable affectation of 'adventures in moral equivalence'-- he used John Adams's ("disgusting") remarks before the performance of <i>Scheherazade.2</i> as an example, adding, parenthetically, at the end, "I'm not talking about the music, which was pretty good": whatever that may mean, ha, it's about as non-Rossian as can be imagined. It wasn't a review of course etc etc but the contrast struck me as amusing.Marc in Eugenehttps://www.blogger.com/profile/04331547981498637474noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-11613412405845365192015-04-14T07:42:41.214-05:002015-04-14T07:42:41.214-05:00I think you hit the nail on the head. Possibly bec...I think you hit the nail on the head. Possibly because he or his editors believe that the technical terms used in music are incomprehensible to the average reader (along, of course, with actual music notation), Alex Ross avoids their use. Instead he invents what you might well call "music critic jargon". The excessively purple prose, such as we find in the piece linked, is even more incomprehensible than technical terms because they at least have definitions that can be looked up. But there is nowhere you can look and find out what "dogmatic thrashings" might mean. Of course Alex Ross isn't the only offender, he is just one of the most prominent. But are there no editors who can look at it and say, Alex, what do you mean by this? Yes, Jay Nordlinger is pretty good. I should do a little survey of current music criticism one day.Bryan Townsendhttps://www.blogger.com/profile/09482696991279345516noreply@blogger.comtag:blogger.com,1999:blog-8827040061563065922.post-45859744620167679422015-04-13T23:09:36.489-05:002015-04-13T23:09:36.489-05:00I will admit to having 'read' that Alex Ro...I will admit to having 'read' that Alex Ross just seeing <i>music critic jargon</i> (i.e. a long blur) except that focus returned where he is directly and in English writing about Adès, Adams, Kosinn, their premieres/ activities/opinions; I know I didn't translate that mess of words into 'melody' and 'harmony'! Thanks! <br /><br />For a long time the only critic I read regularly was Jay Nordlinger at National Review and New Criterion: he writes melody when he means melody and harmony when he means harmony-- and there was someone at the Times whose name I can't recall at the moment, gone now, I think. <br /><br />Am going to listen to RD's games music selections in your other post.Marc in Eugenehttps://www.blogger.com/profile/04331547981498637474noreply@blogger.com